Museo (2018) 1080p YIFY Movie

Museo (2018) 1080p

Museo is a movie starring Gael García Bernal, Simon Russell Beale, and Lynn Gilmartin. In 1985, a group of criminals mock the security of the National Museum of Anthropology in Mexico City to extract 140 pre-Hispanic pieces from...

IMDB: 7.12 Likes

  • Genre: Crime | Drama
  • Quality: 1080p
  • Size: 2.00G
  • Resolution: 1920*1080 / 23.976 fpsfps
  • Language: English
  • Run Time: 127
  • IMDB Rating: 7.1/10 
  • MPR: Normal
  • Peers/Seeds: 21 / 93

The Synopsis for Museo (2018) 1080p

Juan and Benjamín, who are well into their thirties, do not seem to be prompt to finish their university degree in veterinary. As if that was not enough, they are not so keen to fly the nest any time soon either. Thirsty of some long and much sought-after renown, one ill fated Christmas Eve they decide to loot the iconic National Museum of Anthropology in Mexico.

The Director and Players for Museo (2018) 1080p

[Director]Alonso Ruizpalacios
[Role:]Simon Russell Beale
[Role:]Gael Garcia Bernal
[Role:]Leonardo Ortizgris
[Role:]Lynn Gilmartin

The Reviews for Museo (2018) 1080p

Deadly boring!!!!Reviewed bygildateissierVote: 1/10

Photography deserves a 0 and direction also. The script maybe a 4 and the only thing we can rescue from this yawn of movie is Gael.I can't believe they could turn Mexico's robery of the century into a boring to hell movie.

A missed opportunityReviewed byvaguiraVote: 5/10

I looked forward to watching this movie for taking on a fascinating story. Having such an incredible base to work on gave this film so much potential. Gael's involvement usually entails quality. Not in this case. Other than some good performances (including Gael's), the rest is mediocre. The script, the flow, the adaptation. They did not even stick to the story! That was the easy part and it was such a good story. All in all, a missed opportunity.

Surrealism and realism veer off the highway to AcapulcoReviewed byprcmdVote: 6/10

The ultimate mystery of Museo is this: What would make a young adult from an upper middle class household pull off a heist of ancient artifacts from the Mexico City Archeological Museum. Juan Nu?ez is disaffected, stalled in his career, emotionally disconnected from all unless he can put down his sister and his passive, sluggish friend. He is the artifacts he steals--but worse. Something within him feels plundered from a sacred past he lost but can't locate, transported in time, offended by modern culture. He is a wandering ghost whose eventually will make all those around him reinforce his self-hatred. Despite this downward slide, he finds a piece of dignity in the end.

I wish the film could keep this riveting plot driving down the road from Mexico City to the country's ancient ruins to Acapulco and back. The performances aren't the problem. Gael Garcia Bernal is always interesting to watch, but he is crushed under the weight of a director who tries too hard to get his point across. The heist scene makes you think you're going on a joy ride ending in disaster. But it's the major highlight of the film. After that it stalls repeatedly, stuck in contemplative or surreal scenes--at times, clearly reminiscent of Fellini at his most decadent and surreal. The movie going on much too long, long after the audience gets it already and is ready to move on.

A good 1/2 hour editing could have turned this movie into a wonder. I would show Museo and Raising Arizona to a class of young filmmakers to understand how a film can either go so right or so wrong.Take the time to see the Coen Brother's Raising Arizona. It was able to connectcrime, the bizarre world, slapstick and the wild unconscious of character, acting without self-knowledge. No, you don't have to simply be like two of the greatest of heist films, Jule's Dassin's Rififi and Topkapi, keeping it light, enjoying the fun of getting away with it. But you don't have to film with a density that sinks project in the Pacific.

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