Unbreakable (2000) 1080p YIFY Movie

Unbreakable (2000) 1080p

A suspense thriller with supernatural overtones that revolves around a man who learns something extraordinary about himself after a devastating accident.

IMDB: 7.227 Likes

  • Genre: Drama | Mystery
  • Quality: 1080p
  • Size: 1.45G
  • Resolution: 1920*816 / 23.976fps
  • Language: English
  • Run Time: 106
  • IMDB Rating: 7.2/10 
  • MPR: PG-13
  • Peers/Seeds: 88 / 883

The Synopsis for Unbreakable (2000) 1080p

This suspense thriller unfolds as the audience is introduced to David Dunn. Not only is he the sole survivor of a horrific train-crash that killed 131 people he doesn't have a scratch on him. Elijah Price is an obscure character who approaches Dunn with a seemingly far fetched theory behind it all.


The Director and Players for Unbreakable (2000) 1080p

[Director]M. Night Shyamalan
[Role:Audrey Dunn]Robin Wright
[Role:Elijah Price]Samuel L. Jackson
[Role:David Dunn]Bruce Willis
[Role:Joseph Dunn]Spencer Treat Clark


The Reviews for Unbreakable (2000) 1080p


Personal SignificanceReviewed bybilcal7-1Vote: 9/10

It seems this movie has taken a bit of heat, known by many as Shyamalan's "worst" film. It is often written off as slow moving, and the twist at the end as unoriginal and boring. I've heard people say the acting and camera work was awkward and stale and that the casting was poor. Ironically enough, as more people begin to dislike this movie, the more I seem to fall in love with it. This film has a lot of personal bearing with me, both as a student of psychology and a lover of movies and just plain art. I feel like I've taken this film under my wing during its times of criticism, and now I'd like to try and show everyone what exactly I love about it so much. Shyamalan really showed a stroke of brilliance by getting Serra to be his cinematographer and to play around with the aestetics of the film. I don't know how or where Shyamalan is getting these guys for his movies, but I definitely love the style of each frame he shells out. Serra had been involved with predominately foreign films before Unbreakable. This was his first big American film, and I think you gotta give a little credit to Shyamalan for that. His unique and creative touch really added to the direction. In keeping with the "comic book" theme of the movie, you will notice that almost every shot is taken as if you are looking through or in between something. Like the squares of a comic strip. There is also a dark, slightly blue colored filter used throughout most of the film. This gives the movie a very bold, but eerie tone. Showing that the world can be a rough and scary place, but it can also be fought and overcome. It is evident that time and effort went into every shot. It may not slap many viewers in the face as brilliant, but it really strikes a chord with me. As for the score, I am more than willing to argue that this is, hands down, James Newton Howard's best score of his very successful career. It is compelling and booming. It's very powerful, but not over-the-top and excessive. For anyone with the soundtrack, check out 'The Orange Man' and 'Visions'. These are two of the most powerful pieces of any film score around. And I stress the word "powerful". Yeah, he's no Hermann or Morricone, but the emotional weight and emotive power of his chords and his overall composition are just downright chilling. The writing and the direction are just as captivating as the score. Almost every line of dialogue and every scene seems to be placed out on an island, alone so that everyone can stop and judge it. Some people might view this as cocky and/or boring direction, but I see it as daring and unique. Much of Shyamalan's writing is done that way. ('…I see dead people…' '...They call me Mr. Glass…' etc. etc.) Another aspect of the film that tickles my fancy is the underlying themes. I do believe, to a certain extent, that people do have somewhat supernatural powers at times. People have been known to make miracles and do unbelievable things. Maybe these things could be 'developed' in some way. These theories are, in a way, intertwined with some aspects of psychology, such as selective attention and self-actualization. If you care to discuss some of these ideas, let me know and I will relate them to the film through my eyes. In short, I do believe there is a superhero in everyone. It may not be through supernatural powers, but it may simply be through the act of reaching out to a person in need. Other themes of the movie, like how completely different people can always be connected in some way and how everyone has their vulnerabilities and weaknesses are intriguing, yet universal. From a psychological point of view, Shyamalan really gets inside the head of OI patients (osteogenesis imperfecta). He then brings this psyche to the next level with Jackson's character. Elijah, is very passionate but very tortured and evil. His interactions with Willis bring depth and focus to both the characters and the story. Certain scenes in the movie are really quite striking and powerful. The shots of Willis in his security poncho. The train station scene. Elijah's breathtaking fall on the stairs and many more speak so loudly to me and say so much in just a simple clip. For some reason this movie just speaks to me, like art. If anyone cares to discuss more about this film, that'd be cool. There is a lotta other cool stuff to talk about with this movie. Just thinking about it makes me want to watch it a few more times. It may not be the feel good film of the year, or the masterpiece that everyone was looking for, but it definitely sits well with me.

Very subtle. Requires multiple sips to get the full measure.Reviewed byVideofilmVote: 5/10

This movie will be the curious nugget in the collection of Shyamalan films. It is great to see young writing and directing talent that is carving a niche away from the usual fair while running with the big boys and girls. Entering the mainstream was achieved through his kick-off blockbuster, The Sixth Sense. If you are among the small cadre of people who figured out The Sixth Sense's twist before the ending, salute! Unbreakable continues Shyamalan's unorthodox view of things by crafting a more 'mortal' superhero drama. Unlike Peter Parker (Toby Maguire - Spiderman) who completely emerges as Spiderman (web-slinging and building-hopping) within about 30 minutes of the whole movie, David Dunn (Bruce Willis) is discovering his more subtle but extraordinary abilities for the whole movie, with some help from his friends and foes. Being able to stick to and vertically climb a building wall is a fairly noticeable attribute (why it would occur to somebody to try it escapes me) but never being sick in one's life may actually escape one's attention. People develop mindsets that prevent them from recognizing certain things until a suggestion changes that condition. In this movie, being the sole (uninjured) survivor of a train crash is a pretty strong suggestion. From there you watch the revelation unfold. Yes, there is a villain but I won't spoil the movie for those who have not ventured to try it. If you have been avoiding it after poor recommendations from others, forget about The Sixth Sense and give it an undivided attention DVD viewing. Be patient and let it take you. I liked its subtle power. It implies a certain superhero quality in all of us.

a consummate clinic in directing,etc.Reviewed bymikecallaVote: 9/10

M. Night Shyamalan seems to be proving himself quite the auteur. Unbreakable was the cinematic experience I had hoped it would be, especially after The Sixth Sense. A quiet sense of wonder permeated each and every scene, accomplished with some of the finest cinematography I've seen in the last couple of years. Director of Photography Eduardo Serra's execution is subtle, understated and absolutely beautiful. Cinematography legend Greg Toland of Citizen Kane and The Grapes of Wrath fame would be proud of what this film accomplished artistically. I also couldn't help but notice all the long camera takes this film had, reminding me of a few Woody Allen films that let the actors act without the intrusion of the film making process, i.e.; getting a scene covered from multiple and sometimes meaningless camera angles just so the director and editor have something to work with in post production. The characters seem at times to be acting for the benefit of the others on screen rather than "us", the audience, lending a quality of voyeurism to quite a few scenes. The directors intent is quite clear to anyone wishing to delve a little bit deeper into the story and characters while appreciating how such a vision came to breath on film. With regards to the story, Mr. Shyamalan and his crew have constructed something so rich in visual texture while managing to keep the story subdued and character development full of deep-seated anticipation. Every plot point came perfectly without any extra connotations that usually creep into a story such as this (super heroes?). Without any melodrama both Bruce Willis and Samuel L. Jackson give very authentic performances that help the film keep its "Any Town USA" and "Average Joe Six-pack" feel very much alive. By virtue of ingenuity and most likely a meticulous preproduction period, Unbreakable manages to be a consummate clinic in directing, writing, acting, and cinematography. One of the best movies in the past decade.

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